realistic images that utilise the conventions of cinematography to present ‘staged’, fictitious scenes where time has been stopped and extended. These frozen moments are deliberately ambiguous, inviting the viewer to inject their own emotions, motivations and narrative context into the scene, thereby avoiding limiting interpretation.
Joe has completed several large scale commissions for prestigious
clients, including a series of paintings for P&O, Standard Chartered
and the Professional Football Association. His work is owned by notable
collectors and celebrities. His largest exhibition ‘Almost There’
received funding from the Arts Council England and corporate sponsorship
from Audio Technica.
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